The view of the little lake is relaxing and inspiring if you are able to blank out the many other people around you. It is truly magnificent and I can very well imagine how the artist stood or sat here and painted. One can walk around the famous lily pond. A winding path took us through a wonderful garden, past trees, flowers and hedges. The group entrance is in between the lily pond and the garden by Monet’s house. That’s exactly what we did and how we cut our waiting time down to five minutes. The ticket booth for group tickets was empty and one of the very friendly ladies came over and explained in multiple languages that we could come over and purchase our tickets there. And yes, it indeed was the queue for the tickets and there were about 150 people in front of us. Was that the queue for the tickets for the garden? One of us started to queue and the other one went to the front to check out what the queue was for. Claude Monet’s lily pondĪfter a short walk, we arrived at the end of a long queue. There are also signposts that visitors can follow instead of the herd. We checked the departure times to be able to make a rough plan for the day and before we knew it, we followed a big herd of people hoping that one of them would know the way. From there the return shuttle would depart later in the day. The bus stopped at a big and busy car park. Our bus left about 15 minutes after our train pulled into the station and a return ticket was 8€ per person. Even with the shuttle, it took a while to get there. We originally thought that we wanted to walk but it was the right call to take the bus. The train left the station on time and we sat back, relaxed and watched the landscape fly past our window.Īfter our arrival in Vernon-Giverny, we proceeded to the shuttle bus that brought us to Giverny. A single ticket for the 40-minute journey was 14,70€ per person. A return ticket would have been cheaper but we didn’t know how long we would stay so we didn’t want to make arrangements just yet. We found the correct tickets for the train – trains in the Normandy are run by a different provider – and purchased a single ticket each. Five of them have “normal” bubbling here and there where his sounds like three and a half miles of bad road with stuttering, halting video.There is a train to Vernon-Giverny that departs from Paris St. There is a local live roundtable split-screen from Los Angeles news people and one of them has my problem. My home internet watches movies, OK, but my uplink speed is terrible and doesn’t support any real-time work. What you hear when you get their file is your own voice saying, "One And Two And, russle russle and then they start the performance based on your music leadin.Īre you trying to do this live on the internet? That can be fraught with problems. They hold their headphones up to their microphone-just for that one little piece. You send a sync start sequence at the beginning of the master track. The computer only has to do one single thing really well rather than try to record and play, perfectly, at the same time. How did you arrange sync? You can certainly set up for Audacity overdubbing where you play to a backing, sync or rhythm track, but short of that (which can be a little magic), you can send a sound file around that they play on their phone into headphones while Audacity records the actual performance. In the extreme they may even have different tempi. ![]() Use the “Time Shift Tool” to drag tracks left / right so that they line up ( ) Using a click track / guide track should prevent that from occurring. If any of your group are recording on their phones, ask them to set the quality setting to high / highest quality, and send you the raw, unedited files. These will usually allow large files to be shared, so sending and receiving WAV files is not a problem (assuming you all have broadband). If you absolutely must use a compressed format, use a high “kbps” setting so as to minimize sound quality degrading.Ĭonsider using “cloud storage” such as dropbox, Google drive or One drive. “Ideally” yes, though uncompressed files (such as WAV) can be too big for some email services. ![]() Ideally, you should avoid lossy compression Having a clear count-in is extremely helpful. If the music has a rhythm part (such as a strummed guitar) or an accompaniment part (perhaps a piano part), then that can work well in place of a click track. I agree with Doug, so these comments are in addition to what he wrote:Įverybody should be using the same click trackĪ “click track” does not need to literally be “clicks”, though clicks are good as a count in (bands often start with the drummer clicking his sticks together while verbally counting a couple of bars (“1, 2, 3, 4, 1, 2, 3, 4” → start playing)
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